Peter brotzmann discogs free#

His strength is an ability to channel his aggression, as he pushes the limits of intensity without allowing pure chaos to set in. He emerged in the late 1960s as one of the leaders of the European improvised music scene, dropping classic destructo-noise bombs such as Machine Gun and Nipples on the fringes of the listening public.

Peter brotzmann discogs free#

But while Ayler concerned himself with spiritual and religious themes, Brotzmann comes across like a savage nihilist. 1979 Performances with Tristan Honsinger, Beresford, Kondo, Centazzo, Franz Koglmann, Walter Malli, Han Bennink, Leo Smith, Rutherford, Peter Brotzmann. Peter Brotzmann's primal tenor saxophone howl is one of the most distinctive sounds in Free Jazz. Bob Stanley & Pete Wiggs: The Tears of Technology Bob Stanley / Pete Wiggs. His playing is filled with the wild, expressive spirit, if not the bluesiness, of fellow tenor sax iconoclast Albert Ayler. October 17, 1974Palace Of Culture And Science, Congress Hall - Jazz JamboreeWarsaw, PolandPeter BrГ¶tzmann - tenor saxophone, clarinet, mouthpieceAlexander vo. Mostly known for being one of the founding members of Zu, with whom he has released more than 15 albums and played more than 2000 shows around the world (EU, Uk, USA, Canada, Mexico, Chile, Russia, China, Japan, Korea, Algeria, etc. Unlike many of his early colleagues in the Euro-improv world (among them guitarist Derek Bailey and saxophonist Evan Parker) Brotzmann didn't distance himself from his American jazz influences. Massimo Pupillo is a bass player, multi-instrumentalist, composer and improviser. His iron-lunged reed blowing hasn't especially mellowed with age, though a more subdued side does creep in at times (especially when he picks up the clarinet), allowing a welcome break from the heat.Peter Brotzmann's primal tenor saxophone howl is one of the most distinctive sounds in Free Jazz. fusetron BROTZMANN, PETER & HEATHER LEIGH, Ears Are Filled With Wonder. His strength is an ability to channel his aggression, as he pushes the limits of intensity without allowing pure chaos to set in. Low Life is a collaborative album by Peter Brtzmann and Bill Laswell. fusetron BASSMAN, PETE, Small Town Illusion/Poison Butterfly. But while Ayler concerned himself with spiritual and religious themes, Brotzmann comes across like a savage nihilist. His playing is filled with the wild, expressive spirit, if not the bluesiness, of fellow tenor sax iconoclast Albert Ayler. Unlike many of his early colleagues in the Euro-improv world (among them guitarist Derek Bailey and saxophonist Evan Parker) Brotzmann didn't distance himself from his American jazz influences. Explore releases from peter brtzmann octet at discogs. in groups: ada (18), alexander von schlippenbach septett, autonomous zone, berg borg brtz man n, big bad. he was born 6 march 1941 in remscheid, germany. Peter Brotzmann's primal tenor saxophone howl is one of the most distinctive sounds in Free Jazz. Exhilaration is challenging improvisation recorded live at New York's Knitting Factory in 1996 with pianist Borah Bergman, saxophonist Peter Brotzmann (heard here exclusively on alto), and drummer Andrew Cyrille. profile: german free jazz saxophonist and clarinetist.